Traveller remembered

A NOVEL inspired by the life of a European settler who named several Great Southern locations is being launched tonight by Albany author and artist Helen Laing.

Circles of Fortune is a fictionalised account of naval surgeon Thomas Braidwood Wilson’s life and tells of his explorations of Australia and his life in the settler colonies.

Wilson explored the south-west of WA in 1829 and named the Denmark River, Mount Lindesay, Mount Hallowell and Mount Barker after his fellow comrades.

Wilson Inlet and the Wilson’s grevillea were named in his honour.

Ms Laing said she decided to write a tale on the explorer’s life after delving further into his history.

“A friend of mine was doing a paper on naval surgeons who contributed to the first settlement,” she said.

“One of them was Wilson.

“He just jumped out at me; he was such an incredible, compassionate man and adventurous, and felt deeply about the plight of Aboriginal people and how European diseases affected them.”

Ms Laing said she chose the fiction format as she is not a historic academic, but that didn’t mean she did any less research.

Ms Laing spent approximately 10 years writing the book, while juggling a midwifery career and later retirement, travelling and renovating a house.

She said she visited libraries in Canberra and New South Wales and spent hundreds of dollars on history books to get all the details on Wilson.

Ms Laing chose to write in the first person as Wilson, but changed Wilson’s writing style to one more suited to her.

“I tried to write with full stops and capital letters everywhere like he [Wilson] did, but it was so stilted!” Ms Laing said.

“So I changed it to modern language.

“But, I included Wilson’s letters to his wife, which are in their original style.”

Circles of Fortune is being launched tonight at the Albany Public Library at 5.30pm and those wishing to attend are encouraged to notify the library prior to account for space.

Ms Laing will join local historian Malcolm Traill for a curatorial next Tuesday at the Museum of the Great Southern at 10.30am to speak about the book further.

Circles of Fortune is available for purchase at Paperbark Merchants, the museum and Bay Merchants on demand.

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‘Business as usual’ at ACCI

ALBANY’S chamber of commerce has had four CEOs in 10 months, but is operating on a “business as usual” basis according to the group’s President and its newly appointed interim CEO.

Last week, Graham Foster, who became the chamber’s interim CEO on July 25, resigned from the position.

His departure after less than three months in the job follows the exit of retail journeyman Mark Forrest, who lasted six weeks after relocating from Perth.

The job had been advertised twice, with initial applicants told not to reapply for the position vacated in January by Russ Clark.

Now, onetime tyre retailer Michael Clark has been appointed interim CEO.

Asked if he believed the position to be a poisoned chalice, Mr Clark told The Weekender “no”.

“The reasons for everyone else leaving is for different reasons,” he said.

“I find the position quite a good position; it’s something I take with great respect.

“I very much appreciate the position the board has put me in and I look forward to working in it.”

Mr Clark said Mr Foster had been on a four-month contract and left four weeks early.

“It’s business as usual, nothing’s changed in here at the Chamber,” he said.

“I’m stoked to be here.

“I’m really looking forward to the role.”

Chamber President Caroline Hayes said Russ Clark had been with the Chamber for five years and left at the end of his contract.

She said Mr Foster had departed on amicable terms after reducing his hours to part-time and deciding to re-enter retirement.

“I’d like the members to understand that it’s business as usual,” she said.

“Michael Clark has been very instrumental in the operations of the business for many months now.”

Asked if his initial appointment had resulted from a competitive selection process, Ms Hayes said: “No, Michael was employed only on a contract basis to help us out, so it was not a position that we intended to be permanent but it has actually turned into a great position.

“He’s sunk his teeth into this operation.”

Chamber Board member Russell Hare said Mr Foster’s role was only ever going to be temporary, and the committee was “100 per cent” behind getting some stability back to the CEO position.

“The reason we haven’t rushed out and advertised straight away for another CEO is we believe we need to go through a planning process and do some things on the Board before we advertise and appoint a CEO again,” he said.

“We recognise it is not a good look for the Chamber, but we don’t think it’s due to any lack of thorough process.

“It is not a good circumstance and we recognise that we’re looking to get that stability, and we will in time once we find the right person to fill that job.”

Asked if the turnover in the CEO position was a good look for the Chamber, Lyn Welsh, who retired from the Board this year, said: “As a private citizen or a person interested in what’s happening in Albany, I don’t think so, no.”

Disclosure: The Weekender is a member and creditor of the Chamber. A non-editorial staff member is on the ACCI board.

Image: Interim Chamber CEO Michael Clark. Photo: Chris Thomson

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House price hope

URBAN Albany recorded a massive $90,000 rise in its median house price in the past three months, even though not one more house was sold than in the previous quarter.

Real Estate Industry Association of Western Australia President Damian Collins has told The Weekender that prices rose more in urban Albany during the September quarter than in any other of Western Australia’s largest regional centres.

“Albany was the top performing regional centre during the quarter, with its median lifting from $339,000 to $430,000 – a 26.8 per cent increase,” he said.

“It also experienced an improvement on an annual basis, with its median price now 17.5 per cent higher than last year’s September quarter median.”

The next highest quarterly price rise was in urban Busselton, which recorded a hike of 9.8 per cent, well below that of Albany.

But Mr Collins warned readers against taking action on the back of a single quarter’s stats, with Albany’s remarkable performance coming even though the volume of sales across the City was static – at 69 both this quarter and last.

“There was a shift in the composition of sales in Albany during the September 2018 quarter, with significantly more activity occurring above $350,000 than there previously has been, and fewer sales occurring below $350,000, which is where the bulk of activity has typically occurred in this region,” he said.

“I would just be cautious, because with median prices sometimes what you can see, if there’s a lot of sales at the higher end, that could mean that the median price rockets up.

“But look, even over the year, the trend is 17 per cent up, so there’s certainly signs that the [Albany] market is improving albeit on low volume numbers.”

In good news for sellers, it took 93 days on average to sell an Albany house in the September quarter, compared to 111 days the quarter before.

“Compared to the rest of regional WA, that’s pretty standard,” Mr Collins reflected.

“So, it’s still not like they’re coming on to the market and getting snapped up.

“It’s more at this stage a shift in composition of the prices of properties that are selling.”

Across the state, the overall regional median increased 7.8 per cent to $345,000 and overall sales were up 1.2 per cent.

“I think there’s an overall improvement in the level of confidence across the Western Australian market,” Mr Collins said.

“The mining sector is back to rehiring.

“It varies between regions the extent to which mining influences the economy, but in terms of the overall WA economy and confidence it has a big impact that eventually filters through to all regions to varying degrees.”

The REIWA analysis was for detached dwellings only, in urban areas of the state’s 11 largest centres, excluding Carnarvon, where there were not enough sales to extract meaningful data.

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‘DBCA is not a dirty word’

SHENANIGANS surrounding the ever-changing name of the State environment department continued in Parliament last week when Environment Minister Stephen Dawson was moved to uphold the honour of the DBCA acronym.

Weekender readers may recall the running battle between Mr Dawson and Liberal MLC for South West Steve Thomas, which culminated in Dr Thomas during a Budget Estimates hearing requesting that the agency’s name revert from the current Department of Biodiversity, Conservation and Attractions “to either ‘DPaW’ or something with a useable acronym” (‘SW MLC calls BS over DBCA acronym’, 12 July).

On Thursday, the tussle continued under the unlikely cover of a Legislative Council debate on changes to the Strata Titles Act.

During the hitherto sombre proceedings, Mr Dawson explained that under the new Act the name of a strata title scheme may not include a swear word.

Alternatively, explained Dr Thomas – whose electoral region takes in the Great Southern municipalities of Albany, Denmark, Plantagenet and Jerramungup – a scheme name might include, for example, the words: ‘biodiversity, conservation and attractions’!”

“Those are not swearwords!” Mr Dawson retorted with a grin.

“I might put that to a division [vote]!,” Dr Thomas, who was chairing the Upper House at the time, warned wryly.

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Joint bid for bushfire centre

ALBANY, Denmark and Plantagenet are collaborating to secure a State bushfire centre of excellence for the Lower Great Southern amid hot competition and condemnation by Opposition MPs that the selection process is “shambolic” and biased toward Perth.

After hearing about a request for proposals process for the centre from The Weekender in September, Denmark shire CEO Bill Parker this week said his organisation, the City of Albany and the Shire of Plantagenet had teamed up.

He, Plantagenet CEO Rob Stewart and Albany’s development services director Paul Camins said they had no complaints about the State’s selection process.

But they all said the four weeks given by the Department of Fire and Emergency Services to lodge submissions was “short notice”.

After it was revealed here that a submission process had been activated (‘Fire centre boost’, 27 September), Nationals emergency services spokesman Colin de Grussa dubbed the process “shambolic”.

He lamented that local governments had just a month to prepare submissions and there had been no official statement.

South West Liberal MLC Steve Thomas, who has done more than any other MP to see the centre gets located in either the Great Southern or Southwest, was just as candid.

After The Weekender on October 10 alerted him to a formal statement on the process issued by DFES that day, he asked Emergency Services Minister Fran Logan in Parliament if the Government had tried to minimise awareness to reduce the chances of regional areas applying.

In the shortest possible response, Mr Logan answered: “No”.

Before that, Mr Logan confirmed that no media statement had been released to signal the opening of the process.

He said all eligible local governments had been advised via the WA Local Government Association, and advertisements placed in a metropolitan newspaper on September 29 and October 3.

WALGA President Lynne Craigie confirmed that on September 25 her organisation sent an email to the CEOs of all local governments in the South West Land Division.

Both Mr Stewart and Mr Camins said they had learned of the process from WALGA.

The Weekender asked Mr Logan’s office why DFES used WALGA as an intermediary, and was referred to Department media officials who failed to meet our deadline.

Dr Thomas said WALGA was an important group, but not a government organisation.

“To suggest that WALGA is the distribution point is a complete abrogation of government responsibility,” he said.

“In September when the process went up, that was a major Government policy and that should have been a major Government media statement followed up by a major DFES statement.

“There needs to be a truly open and competitive process.”

Also unanswered were Weekender questions about Mr de Grussa’s “shambolic” charge, whether the RFP process would result in a recommended location or locations, and if results of the process will be publicly advertised and incorporated into a Cabinet submission.

The Nationals’ Member for Agricultural Region Martin Aldridge this week said the centre should be located at the Muresk Institute near Northam.

Dr Thomas said Northam was the “wrong place”.

“Apart from the fact it is in a Nationals electorate, Northam in my view is not close enough to a population within a forest,” he said.

He said Pinjarra and Waroona, or a combination of both, intended to apply.

“I know Collie is interested, Bunbury is interested, possibly piggy-backed with Dardanup or Collie or both,” he added.

“Busselton has a couple of good possible locations as well, and there’s a fair amount of State forest there.

“Manjimup is a fairly obvious regional central point in the middle of the heartland of the forest territory, and it will submit.”

Dr Thomas also said the Lower Great Southern would lodge a competitive bid.

“To me, those are the five strong options, on the assumption you don’t just stick it in Perth,” he said.

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Sydney-bound septet

SEVEN young Albany talents are hosting a variety show on October 28 to raise money to send themselves to Sydney for a national music summer school program.

Siblings Bonnie, Josie and Maggie Staude, along with sisters Bella and Ruby Fasolo and Hudson Bell and Jessica Turner will attend the Gondwana National Choral School in January next year at the University of New South Wales in the hope to further develop their vocal skills and advance their musical careers.

Bonnie, who has attended the Gondwana summer school program four times previously, said the septet will spend two weeks in Sydney and live on the university campus.

They will devote school hours to rehearsals with their designated choir, and spend spare time partaking in specialist projects, which range from musical theatre, to drumming, to Indonesian dancing.

“Gondwana is a great way to build connections with composers and conductors,” Bonnie said.

“The Gondwana choirs are extremely good and of a really high calibre, so it’s pretty exciting to think that little ol’ us from Albany will be singing with an international act.”

Bonnie said funds raised during the October 28 variety concert, Pure Imagination, would contribute to the group’s flights, accommodation and participation fees.

“Tickets are going well at the moment, but we would love more people to come,” she said.

“And if people can’t make the concert, we would greatly appreciate any donations.”

Bonnie said Pure Imagination will feature snippets of musical theatre, instrumental performances, classical and contemporary music, and a little bit of comedy.

Pure Imagination will be held at the Port Theatre at 4.30pm on October 28 and tickets can be purchased through Paperbark Merchants.

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Land inspires collaboration

OCHRE Contemporary Dance Company’s new performance Kwongkan will debut at the Albany Entertainment Centre next week and showcase a collaboration of indigenous Australian and Indian dancers conveying their feelings towards climate change through dance, physical theatre and aerial acrobatics.

Artistic director Mark Howett said upon learning that by 2050 there would be no more banksia and peppermint trees left in WA, he considered the long-term effects of climate change.

He said Kwongkan developed as a result of that and described it as a journey of self-discovery and of people fighting to protect their ancient cultures and lands from “the tsunami of change”.

“Peppermint trees were such a big part of my childhood and have great cultural significance,” Howett said.

“It made me think… there’s so much to talk about, about how perilous climate change is.”

Kwongkan will take centre stage at the AEC on October 13 and tickets can be purchased via the AEC Box Office or online.

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Magical homecoming

ALBANY product Alannah Woods will make her debut hometown performance with national Irish dance-magic act Celtic Illusion next month after spending 10 years away studying and singing across the country.

Woods graduated from Great Southern Grammar in 2008 and was accepted into the WA Academy of Performing Arts in 2010.

After completing her Bachelor of Music in Classical Performance (Voice), she pursued further musical theatre and dance studies in Melbourne.

It was there that the chance of a lifetime fell into her lap.

“I’ve been in an amateur production of Anything Goes and Strictly Ballroom,” Woods said.

“When I was finishing Strictly Ballroom, I saw an ad on Facebook for a singer with Celtic Illusion.

“I messaged them and they sent me a song to learn, and within 24 hours I got the job.

“So, a week after finishing Strictly Ballroom, I was on the road again!

“It’s my first professional contract, which is pretty exciting.”

The 26-year-old said she performs four songs in Celtic Illusion, two in the first act and two in the second act.

Her early songs embrace a storytelling format and her later songs act as an introduction to an illusion.

“They are fantastic people,” Woods said of the Celtic Illusion cast.

“They’re all really lovely.

“We’re like a little family.”

Celtic Illusion director, principal male dancer and lead illusionist Anthony Street said Woods replaced a singer who was retiring from the show.

He said the company was working on developing Woods’ role to become more than just a singing one.

Street is the mastermind behind Celtic Illusion, premiering his show in 2011 after wanting to make his dream of creating a magic show and a dance show simultaneously come true.

“I was intrigued by a magician at a local fair when I was eight years old, and I’ve loved magic ever since,” Street said.

“Then when I was 14, I found a video of Irish dance and I watched it every day.

“I thought I might not have time to live both dreams of magic and dance, so I combined the two.

“I have to pinch myself sometimes… it’s such a one-of-a-kind show.”

Street said his ultimate goal is to see Celtic Illusion become comparable to the likes of Cirque du Soleil.

Woods aspires to move to London in the next couple of years and make it on London’s West End, and one day, Broadway.

Celtic Illusion will perform at the Albany Entertainment Centre on November 8 and tickets can be purchased via the AEC Box Office.

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Music from Manus

DENMARK songstress and human rights activist Dawn Barrington continues to blend two of her passions as she take her message to the masses.

Barrington was first properly introduced to music seven years ago when she attended a local TAFE music program.

“I went to go and do something for a bit or fun and then I guess I got a bit carried away,” she said.

“I was working with a guy called Tony King who is a brilliant teacher.

“He just continues to plant seeds around Denmark, which is great for growing local talents.”

Barrington’s music developed into a sound she was already very familiar with as part of the local bar and café music scene.

“I usually describe it as contemporary folk, folk-rock maybe,” she said.

“It’s along the lines of what I think a lot of solo acoustic acts do these days.

“If you’re not blues, you’re simply folk. I guess it’s that kind of thing.”

Barrington explained how her music and activism became more strongly connected over the years.

“I’ve always been a writer, so that’s probably the thread that got me into it,” she said.

“A lot of my stuff is activist-based; it’s about social and environmental issues.”

This was the spark for her latest collaborative project Music From Manus.

Music From Manus is a 40-minute documentary by filmmaker Tim Maisey.

It centres around Barrington’s journey to Manus Island to meet the refugees and to connect with them on a musical level.

“I guess my main goal is to let the world know that they’re just innocent people; they’re real humans like me and you.”

When asked why she chose to do this through music, Barrington told The Weekender that it was the only way she could.

“I’m not a social worker and I’m not a support worker, but I was connected with the guys working on Manus Island through music,” she said.

“When I started to learn about how bad it was and how lovely the guys there were, I knew I wanted to go there and play for them.”

She got in contact with Maisey and travelled to the island in March.

After they had arrived back in Australia and Maisey had completed the film, Dawn took to showcasing their work to as many people as possible.

“I took it all over East,” she said.

“I did screenings over there and here in WA, met loads of people through it, and got an amazing response.”

Through doing something like this on such a big scale, Barrington began to realise that she was becoming a better musician.

“It’s brought a new life to my music and songwriting,” she said.

“I guess you could say it’s my purpose.”

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Gongs for best drops

FOUR Great Southern vineyards picked up nine of 24 trophies at the prestigious Wine Show of Western Australia held in Mount Barker last week.

Denmark’s Rockcliffe, Castle Rock Estate in Porongurup, Ferngrove Frankland River Wines and Frankland River’s Alkoomi Wines won gold across the Riesling, Rosé and Pinot Noir categories and event coordinator Marie O’Dea said it was a great effort.

“We had more than 115 wineries competing,” she said.

“Our Singaporean judge, Lim Hwee Peng was quite impressed…it’s an indication of the strength of the Great Southern.”

Rockcliffe won best Rosé of show with its 2018 Third Reef Rosé and Rockcliffe owner Steve Hall said it was a “very special” wine.

“At last year’s show, I purposely went through the rosés with Antony [winemaker] and the winners were very dry and grey, and I thought that was a French style,” he said.

“I said to Antony, ‘I need this, it’s a fabulous wine’ and so a lot of hassle, debate and work went into it.

“I thought Antony should make it, and he did, because he is from Provence and we made it in true Provence style.”

Mr Hall said Rockcliffe also won the Neale Warneford Trophy for best red blend with the Ironcloud Wines 2017 Rock of Solitude Purple Patch GSM, as Rockcliffe also makes Ironcloud products.

“Winning a trophy is the pinnacle, really,” he said.

“We’ve effectively made the best Rosé in WA.

“It’s a massive accolade for us.”

Castle Rock Estate won the Winequip Trophy for most successful exhibitor processing under 250 tonnes, best Great Southern white and best Riesling with the 2018 Porongurup Riesling, and best Pinot Noir with the 2017 Porongurup Pinot Noir.

Winemaker and owner Rob Diletti said the vineyard had competed in the wine show since 1986 and winning kept the Castle Rock name fresh in people’s minds.

“We’ve done well in Perth and other capital city shows, so it’s a continual indication showing how our whites are going,” he said.

“For Riesling and Pinot Noir, Porongurup is up there creating the best in Australia.

“It’s amazing to get it [trophies].”

Mr Diletti said the location of the vineyard at the base of the Porongurup – which has a good balance between being not too rigorous and not too lean in its soil – the elevation of the land, and the easterly sea breeze from the Great Australian Bight all contributed to creating the ideal growing conditions for his grapes.

Ferngrove Frankland River Wines won the title of best Great Southern red and best red varietal for its 2017 Black Label Malbec and vineyard manager Chris Zur said it was earned by a big team effort.

“It’s always good news to be recognised for hard work,” he said.

“We’ve been a champion for Malbec in the region for a long time, and it’s because of a lot of work from the whole team.”

Mr Zur said despite Frankland River being “probably” the most isolated of the five sub-regions in the Great Southern, its low disease pressure, Mediterranean climate and the cooling influence of the Southern Ocean in the afternoon were desirable for making Malbec.

Alkoomi Wines won best aged Riesling for their 2010 Black Label Riesling.

Owner Sandy Hallett said the vineyard had supported the Wine Show for many years, with Ms Hallett’s father being one of the founding members of the prominent event.

“This [trophy] shows that Riesling from our region, whilst delicious young, also has tremendous ageing potential,” she said.

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