Cricket’s road to redemption


The Test – Amazon Prime Video

4 / 5 stars

IF AMAZON’S behind-the-scenes docu-series on the Australian cricket team doesn’t go some way to winning back some of your affection for the national side, there’s no doubt it will earn back a bit of your respect.

If, like me, you had fallen out of love with Australian cricket after ‘Sandpaper Gate’, The Test acts somewhat as a therapy session to repairing that relationship.

Growing up watching the likes of Shane Warne, Glenn McGrath and Ricky Pointing – Australia’s next batch of stars always had an incredibly hard act to follow.

It wasn’t just their heroics on the field that this generation never seemed to match.

Whether media training or micro-managing coaches had stifled the personalities out of the players, it seemed this batch of cricketers were a bit lifeless.

Remember when Glenn McGrath used to tell the media the Aussies would win every Ashes series 5-0? Or Warney would joke about celebrating a big win with a beer and a ciggie?

It seemed all the characters of Australian cricket had been lost to the commentary box.

And then Cameron Bancroft, on the direction of David Warner and under the supervision of Steve Smith, decided it was a great idea to scuff one side of the ball with sandpaper during a March 2018 test match against South Africa in Cape Town.

For a country that prides itself on ‘a fair go’, the ball-tampering saga was a step too far.

The fallout was spectacular.

The Australian side lost its captain and vice-captain to 12-month bans, while coach Darren Lehman resigned.

Australia’s culture and ethics were rightly questioned.

Where did it all go wrong since that golden era?

And so, in steps Justin Langer, who is charged with the insurmountable task of coaching the national team through one of its darkest periods.

This is where The Test docu-series begins.

At his first press conference as Australian coach Langer says it’s all about earning back respect and making Australians proud of their cricket team once again.

Over the next 16-months, filmmakers follow the Aussie team on their long road back to redemption, intimately capturing behind the scenes footage of the highs and lows of international cricket.

This is the first time we’ve ever really been allowed to see what goes on behind the closely guarded curtain of the Australian dressing room, and it’s compelling viewing.

The producers couldn’t have asked for a better year of cricket either, with an Indian home summer, World Cup and Ashes series all producing some outstanding moments.

Test cricket – at its best – is a rollercoaster of emotions, and The Test doesn’t disappoint on that front.

Reliving the final overs of the Headingly test where Ben Stokes drags England home to an unlikely one-wicket victory is the kind of drama you can’t script.

Watching it from Langer’s perspective proves even more compelling viewing.

The Australian coach kicks a rubbish bin over in frustration after Nathan Lyon misses a simple run-out chance in the dying moments, but then proceeds to pick up every piece of trash off the ground while the drama on the field is unfolding.

It’s a simple act but shows the character of a man trying to teach his side the same level of humility.

This docu-series is all about Australia’s story arc from Cape Town cheaters to Ashes heroes, but there are plenty of heartwarming side stories away from the action too.

Tim Paine’s leadership skills off the field grow exponentially over the 16-months. Aaron Finch fights personal demons to come out the other side a better player.

While Marcus Stoinis and Adam Zampa show us the team isn’t all made up of macho characters.

Yes, there’s quite a bit of swearing, and you might think players are being a bit over the top when they throw their gear around in anger, but that shouldn’t really be the focus here.

We get to know what these cricketers are actually like as people and the Australian public is all the better for it.

The docu-series is essential viewing for any self-confessed cricket tragic.

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Innovative theatre strikes artistic gold


AS A history major at university, I probably shouldn’t be saying this, but historical movies and documentaries tend to bore me.

They certainly don’t make my ‘must watch’ list on Netflix, let alone interest me enough to go all the way to the cinema to watch them.

I’m pleased to report that THEATRE 180 has officially changed my mind.

A Fortunate Life told the story of Australian man Albert Facey, who lived from 1894 to 1982 and experienced two wars, the Great Depression, the aftermath of the WA gold rush, poverty and family hardship across Victoria, Kalgoorlie, Perth, Narrogin, Bruce Rock, Merredin, Wickepin, Pingelly, Cave Rock, Victoria Park, Tuart Hill, Wanneroo, Gosnells and Mount Helena.

Normally, a story like this would lose me after the traditional opening panning shot of the Australian outback, but THEATRE 180 presented the story in a way I’d never experienced before.

It took place on a stage inside the movie theatre, with the big screen as a moving back drop.

For non-arts people, this might not mean that much, but for those who know the usual constraints of theatre versus cinema, it made for an entirely different experience.

Live theatre is, in essence, a movie occurring in real life in front of your eyes, but the changing static backdrops, lighting and intervals set it apart from the more realistic world viewers can lose themselves in watching a movie.

But this experience was, put simply, beautifully different.

There were only three actors portraying myriad characters, with simple costuming to differentiate between scenes, eras and characters.

The seemingly effortless way each actor transformed into a different character, and the way each scene rolled into the next, enabled the audience to really be lost in the mesmerising tale of hardship and sheer determination that was the life of AB Facey.

With my Nonna sitting beside me, I worried a bit about whether either of us would even like the show.

But the occasional giggle, gasp, ooh and ahh and tear that escaped from each of us throughout the performance – and from many other audience members, I am sure – proved that this piece of innovative theatre is a true piece of artistic gold for anyone of any age.

As an Italian-born Australian, Nonna loved learning about the Australian outback and history that remains quite foreign to her.

And I, someone Australian born and bred, learned more about Australian history and the firsthand impact events had on real people than any lecture I’ve sat through.

History is always more interesting when told from the perspective from an individual.

THEATRE 180 has done an absolutely spectacular job recreating AB Facey’s tale for theatre and they should be applauded for their efforts, including the wonderful audiovisual work of Albany company Green Man Media.

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Unique masterpiece makes movie history

LEGENDARY South Korean director Bong Joon-Ho made history on Monday when his hit flick Parasite became the first foreign language film to ever win the Oscar for Best Picture.

Bong’s extraordinary achievement at the 92nd Academy Awards capped off a throng of accolades the film has received this award season and is elevated further when considering the behemoths he was up against.

Scorsese’s three-and-a-half hour gangster opus The Irishman, Tarantino’s ever-subversive Once Upon a Time … in Hollywood and Noah Baumbach’s incredibly realised Marriage Story fell short of Bong’s latest due to one inarguable truth: we knew what to expect.

That is not so much a critique of any of these films, all of which were some of the best put out by their respective auteurs in years, but a resounding endorsement of Bong’s latest.

Parasite is unlike anything I’ve ever seen.

Described in some circles as a dark comedy, others as a mystery/ thriller, and elsewhere yet as something akin to a capitalistic horror, the 2019 film is difficult to present cleanly.

Its eclecticism makes it frustrating to talk about, in large part because to ruin even one of the numerous twists and surprise tonal shifts that riddle its runtime could be regarded as a moviegoer’s cardinal sin.

Suffice to say, the film succeeds in merging these aforementioned genres in a way that ensures you never quite know where you’re going.

The simple premise is this; a family, clinging to the lowest rung of the socio-economic ladder in South Korea’s capital of Seoul, find themselves in the employ of their far wealthier counterparts by way of luck.

An unexpected discovery, and the word ‘unexpected’ cannot be stated enough, soon threatens their shot at financial stability.

That’s it. That’s all I can say.

Parasite is buoyed by some incredible performances by Kang-ho Song, an acting titan in South Korea comparable in prestige to Al Pacino, Woo-sik Choi and So-dam Park.

The visuals are sharp, the score suits perfectly, and the script and dialogue, which shifts between Korean and occasionally English, is witty, realistic and memorable.

While the subtitle averse might find the idea of a foreign language film daunting, Parasite does not feel inaccessible in the slightest.

Bong has a proven history of merging the world of Western cinema with its Asian equivalent, having directed cross cultural crowd pleasers like 2013’s Snowpiercer and Okja four years later.

Much like these films, Parasite explores themes relevant and familiar to audiences across the globe, and is likely to strike a chord with almost everyone because of it.

It serves as a biting dissection of class struggle and income inequality, as well as a morally-challenging exploration of the lengths we will go to in order to make a life for our loved ones.

It’s funny. It’s clever. It’s brutal and unnerving and immensely satisfying, and hands-down the right choice for Best Picture this year.

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Albany stars in ‘rare’ film

DON’T be deterred by the cheesy trailer and poster thinking that H is for Happiness – filmed entirely in Albany – is just another kids film.

A recent reviewer of the movie described it as “rare” type of cinema and I’m obliged to agree.

When I sat down with dozens of extras and contributors for the first Albany screening last week, I wasn’t sure what to expect.

I had spoken with the producers and actors about the movie for previous news stories published here, but I was still quite in the dark about it all.

What I saw was certainly not what I expected.

As a kid, seeing kids being the main protagonist in a movie was always pretty cool, because hey, that could be you on-screen.

As a teen and as a 20-something, seeing kids as the protagonist could be slightly painful to watch – the at-times annoying overacting, predictable dialogue and the disconnect you felt from the character due to age difference.

Daisy Axon, the lead of H is for Happiness, managed to completely dispel all of these things in her tween character Candice Phee.

Candice is full of cute, unapologetic quirks and exudes optimism to keep a positive front for her family, but not so painfully as to cause the audience to dislike her.

You can’t help but empathise and sympathise with her youthful disappointment in her family’s disconnect caused by a tragedy, as well as see what Candice does not fully understand – the pains of depression, loss, broken relationships, financial strain and all of those adult things.

But one of the most enjoyable parts of the movie is that these big issues are not forced down your throat to teach you a lesson; they are quietly ticking in the background.

It is true to how a young person sees the world – they see the problem but might not see the full picture.

Candice is everything that everyone should be; someone who is kind, non-judgmental, accepting and unflinching in her care for others.

Axon’s performance as Candice is truly beautiful.

It’s the subtleties of this movie that make it so great and the young actors who hold themselves with ease.

You almost don’t notice the big names of Richard Roxburgh, Joel Jackson, Deborah Mailman and Miriam Margolyes, because Axon and Wesley Patten – Candice’s counterpart in the other lead role of Douglas – don’t need their support.

These two young actors have a beautiful, delicate, innocent yet insightful relationship and chemistry on-screen that I am yet to see in cinema.

And it is because of this that sets H is For Happiness apart from any family movie I’ve ever seen.

Certainly a film the whole family can enjoy and take something away from.

Plus, seeing Albany in a movie is pretty cool.

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REVIEW: Theatre group filled with passion

THE thing I love about the Plantagenet Players amateur theatre group is their energy.

No matter what the topic of the show is and no matter if someone keeps stumbling on their lines, everyone up on stage wants to be there.

You can see their passion for theatre blazing in their eyes and as an audience member, it is really enjoyable to watch people do what they love.

Sure, there’s a few fourth-wall breaks, prompt-prompting and cheeky winks to family members, but that’s what makes a Plantagenet Players performance special.

It’s their trademark.

Don’t get me wrong – I love theatre shows with all the bells and whistles, but there’s something about a group of people from all corners of the community, getting together to have a laugh, dress-up and just have fun.

That was exactly the case on Friday night when I jumped in the car for an evening trip to Mt Barker to watch Hatches, Matches, Dispatches (and other life snatches!).

Now, I wasn’t too sure what to expect with this production.

I’m pretty hard to impress but the Players had done so before, so I had my fingers crossed that I was in for a good night.

Well, I think the laughter flowing through the crowd around me answered that question.

In traditional Players fashion, the show was comprised of multiple skits, some short and some long.

Each joke was well thought-out with some punchlines weaving through an entire segment before cleverly tying up.

What I love most about shows like this is that, no matter what’s going on in your life, you can rely on the Players to keep you entertained and laughing for a couple of hours.

The theatre itself has a warm and welcoming atmosphere about it, and, of course, you can’t miss the light supper at half-time.

I don’t know what it is about country folk, but they always put on a scrumptious spread of homemade tucker.

It’s the country touch.

If you want to get in on the action, the Players have two more performances this weekend, November 8 and 9, at 8pm.

Get in quick to secure the last few seats by calling 0447 656 105 or by popping into Bub 2 Mum on Lowood Road.

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Contemporary spin on Bard’s witty play

Review: BELL Shakespeare’s bright and energetic take on the famous playwright’s funniest work Much Ado About Nothing clearly entertained at last week’s debut performance at the Albany Entertainment Centre.

The theatre roared in good humour when prodded, held collective silence when the headier themes pushed to stage edge and felt more like a crowd at a top notch stand-up show than that found at renditions of Shakespeare’s more tragic works.

That’s not to say Much Ado About Nothing did not offer moments of serious reflection and social commentary both surprisingly and unsurprisingly relevant to the modern context.

The twin love stories of the honourable Claudio and Hero and the endearingly love-averse Benedick and Beatrice laid bare the hypocrisies of gender politics in Messina and beyond the page.

It further tiptoed through the big topics of the value of honour, of friendship, the trappings of masculine and feminine expectations and the weight we place on truth, trust and pride.

Perth-born Associate Director James Evan, who has previously proven himself with a largely lauded production of Julius Caesar, managed all this deftly.

His contemporary spin on what many call the world’s first romantic comedy was welcomed in the form of colourful and eccentric costuming, a simple but fitting setting and clever characterisation.

The latter of these was surely bolstered by the talented cast, many of whom switched between multiple roles in a way that was not only seamless, but which added to the narrative in subtle but thought-provoking fashion.

The standout for me, though I find it hard to single anyone out, was Will McDonald’s portrayal of both the young Claudio and the naive but dastardly Borachio.

This may be in part because of the range of emotions he was allowed to explore – pure joy at Hero’s acceptance of his hand in marriage, disappointment sweeping into rage at her perceived betrayal, guilt at the consequences of his quick judgement and confusion.

Duncan Ragg and Zindzi Okenyo were also stellar choices for Benedick and Beatrice and took their quick dialogue in equally quick stride, tripping not once save for when it was intended.

Their characters’ piercing wit felt natural and human and seemed to mask deeper anxieties about the world they inhabited and their place in or outside of it.

Of course, no discussion of Much Ado About Nothing is complete without reference to the slapstick, which was done wonderfully here.

Ragg brought great energy and humour to Benedick’s near adorable discomfort at the thought of loving or being loved by his female counterpart, while Mandy Bishop’s take on the bumbling Dogberry was nothing short of outrageous (in the best way).

One moment widely appreciated lacked dialogue completely and featured a rattled Benedick placing a tiny stool on the grass, taking his time to settle down on it and pulling out, with great exaggeration, a magazine entitled TANKS.

I can’t do it justice.

You’d have to have been there.

But it was hilarious.

There were plenty of memorable scenes like this throughout the two-hour production and each oozed with creativity and wonder; the masked dance party pumping modern pop and disco lights was another highlight.

Packed with these and with excellent performances across the board, Bell Shakespeare’s Much Ado About Nothing was a hell of a crowd-pleaser and a trip I’d soon take again.

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REVIEW: Albany’s Got Talent


It’s not often that this chatterbox is lost for words but by golly gosh, I was on Friday night at the opening performance of Albany’s Got Talent.

You often hear people say that the Great Southern is full of talent, but you don’t actually appreciate that until it’s right there in front of you.

If Albany’s economy was reliant on singing voices, the word ‘recession’ would never be uttered again.

Now, I only have so much space here to talk about how amazing everyone was, so I’m going to have to be highly selective.

So if your name doesn’t crack a mention here, please don’t think it’s because you weren’t any good – you were all incredible but my editor has given me a word limit.

Let’s start with young Ethan Grobbler.

This young man – only Year 4 – got up on stage with his loop station, beatboxed several different rhythms, recorded them live, and proceeded to sing George Ezra’s Shotgun.

While others of that age are still busy pushing each other around on the playground, Mr Ethan had practised and practised his sweet voice and beatboxing before getting up on stage by himself.

What courage and talent from someone so young!

I already hope to book Ethan as my wedding DJ when he’s a bit older.

Sebastian Commons.

I first met Seb when he worked at the Weekender for school work experience and he mentioned a couple of times that he made his own music.

He shared with us some of his original work and I was mightily impressed, but not as impressed as I was on Friday when he sat at the piano beside his mum and belted out his own rendition of Frank Sinatra’s Fly Me to the Moon.

Watch out Sinatra and Buble, there’s a new crooner to town.

Seb blew the audience away and was more than deserving of the massive applause and cheering he received.

Maddy Marsh.

My oh my, Maddy, were you incredible.

Not only did she take on and absolutely smash one of the biggest songs of the year, she made me question whether the original artist was any good in the first place.

Kate Miller-Heidke’s Zero Gravity shot to fame at this year’s Eurovision song contest and featured a lot of glam and high notes.

Maddy nailed every single one of those notes flawlessly, including that part of the chorus.

She ki-i-i-i-i-i-i-i-illed it.

And I don’t think I can end this review without a mention of Susie Chap-man and Deon Utber.

An absolutely beautiful song, Slow Down reflected on watching children grow up and the difficulty parents can have letting them go out into the adult world.

The tear-jerker was enough to make me doubly appreciate my parents and give my mum – who was sitting dabbing her eyes beside me – an extra big hug.

I cannot wait to see what talent emerges for next year’s show.

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Efron excels as Ted Bundy

ANOTHER day, another Netflix Original that makes you stop, drop and roll for the remote to hear that iconic opening thump-thump.

Social media had been in a whirlwind of excitement in recent months after Netflix announced they would be releasing Extremely Wicked, Shockingly Vile and Evil starring Zac Efron and Lily Collins.

The reason why everyone was so excited was to see Efron starring as what is considered to be America’s most notorious serial killer, Ted Bundy.

For anyone unaware of his crimes, Bundy confessed to brutally murdering 30 women in the 1970s across a number of states, had a couple of daring escapes from custody and was known to be a bit easy on the eye for the ladies.

So when I heard that Efron was playing Bundy, I was intrigued.

Why, you may ask? Especially since he’s more known for comedies and the odd rom-com and generally speaking not ‘that kind of actor’?

Well, let me break it down.

Bundy was a hottie back then. Not so much now in comparison to today’s beauty standards, but he had girls swooning over him and using choice words such as “dreamy”.

He was intelligent, well spoken, well dressed and had the kind of face that people would associate with your nice boy-next-door.

The reason it was so hard to believe Bundy committed those heinous crimes before the evidence started piling up was because he was able to make himself seem like someone who wouldn’t hurt a fly, much like Charlie in Me, Myself and Irene.

In my eyes, that’s why Efron was perfect for the role in emulating such a horrific character.

His pearly white smile, tantalising wink and ability to display no emotion much like a psychopath is terrifying.

The film itself is one heartbreaking and horrifying scene after the other that tugs on the heart strings and unsettles you to your core.

From the subject matter it’s easy to see that it would be a film about Ted Bundy’s story, but in my eyes it’s more a film about his long-term squeeze Liz Kendall played by Collins.

Collins’ large brown eyes, slender frame and bottle of wine or spirits took up the majority of screen time rather than the gruesome and tokenistic reenactments of women being battered, assaulted and murdered.

Throughout the film we follow the path of Collins’ character as she is introduced to Bundy, falls in love and then finds out about his arrest in Utah where everything quickly goes downhill.

People always talk about Bundy’s known and unknown victims, but forget about Kendall’s own victimisation.

Bundy manipulated Kendall throughout their relationship and even allegedly attempted to kill her at least twice, which wasn’t mentioned in the film.

Collins hauntingly displays the effects of that manipulation throughout the film with textbook depressive behaviour.

The film is more about her struggle to accept the mounting evidence against Bundy and her decision to try and protect more women from being attacked.

The cinematography is gripping where it emphasises the small changes in expression of the actors to convey emotion or lack thereof, and is clever in using home movies to show the passage of time.

What I feel like is a bit of a shame is that Kaya Scodelario’s character Carole Ann Boone is somewhat one dimensional – much the same as Kendall.

Bundy’s character is like an onion with the amount of layers he has with his cool confidence, manipulation, intelligence, instinct to harm women, ability to change his appearance, fathering a child and seemingly to never stop loving Kendall.

In Kendall we see a single mother who loves a man and then turns into an alcoholic.

In Boone we see a glorified fan girl and nothing else.

It’s just a damn shame.

All that said, Director Joe Berlinger manages to kill off any feelings of sympathy the audience might have for Bundy in one simple word that left me cringing into the couch and making a grab for the nearest blanket to hide in.


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The final countdown

IT’S never easy saying goodbye.

Alas, I must, because life is hectic and OMG.

Being able to speak to you in this space every week has been absolutely incredible, and the feedback I have received has been awesome.

From buying Christmas gifts to homelessness, to treating yourself and exercise, to being an adult to dressing fab, we have certainly been on a journey.

Every time I have sat down to write this space to you, I have thought long and hard about what to say.

I have never wanted to disappoint you nor bore you to death, so I hope over the past few months I have made you laugh, smile, ponder and maybe shed a tear, because that’s what life is all about.

But don’t panic, I’m not disappearing all together; just from this space on page 2.

Who knows, I might make a comeback, I might not; let’s see what the future holds.

So today, I thought we could look back on how much of my personal life I have publicly displayed to the world, and give you an update on how things are going in Ash World.

*Cue Wayne’s World spirit fingers and tongue- rolling noises*

#1: Oh, what a feeling

Well, newsflash, I’ve decided I do actually love my car and want to keep it for a couple more years, at least.

I know my brother is still trying to wangle his way into convincing my parents he needs a V8 and I’m still whinging about my car never looking clean despite regular washes, so yeah, cars.

#2: Moving on out

I hope to move out soon with a very lovely person who makes a mean fish and chips and gives great massages, so that future is certainly looking bright.

As long as that person realises there will definitely be pink mugs and pink pillows in the house, we should be fine.

#3: Reignite the spark

I’m learning to love Albany again and stop whinging about everything, because we really do live in a beautiful part of the world and the beaches here are pretty.

Having to only drive 10 minutes for a cheeky nug run is also a great bonus of Albany’s smallness.

I hope you are still loving this little part of the world too.

#4: Get your sleep on

I’m still waking up like a zombie each day, but I’m aware of stuff I can do to ‘get in the sleep zone’.

Reminder: #dimthatscreen if you insist on carrying on your late-night text seshs until 2am.

#5: Dress to be the best

I still unconsciously dress to the nines everywhere I go, but I have learned to turn it down in casual settings.

You’ll be proud of me – I wore leggings and a cardigan to a mate’s place the other day, without a high heel in sight, so go me.

#6: Heartbreak Hotel

I have well and truly vacated from this joint and am now incredibly happy with a handsome fisherman.

He makes me feel the happiest I have ever felt in my life, so I hope you all find someone who makes you feel as special as he makes me feel.

#7: These battle scars

As I said the other day, I’m still hanging in there with my anxiety.

I am more determined than ever to not let it stop me from doing stuff, and I am super, super proud of myself for my progress.

So now, my dear friends, our time together is over, for the time being.

I hope my little babble each week has given you at least a snippet of the joy that it has brought me.

Ciao for now. xo

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Can you feel the love tonight?

WELL, it’s Valentine’s Day next week and I totally forgot about it until last Wednesday.

I was at a shop buying a birthday gift for someone and there was a stand of red and pink V-Day cards by the counter, and my initial thought was, OMG I’m so not organised for that.

Don’t get me wrong, I love Valentine’s Day and I think it’s really cute when flowers turn up at work for peoples’ partners, but the pressure of getting the right gift is a tad intense.

Especially when you see the typical overkill-sized bouquets of roses and the six-foot teddy bears around the place, even though you know in reality, that person’s relationship is in the pits and that couple barely speaks to each other.

But despite this fact, you feel the need to compete and buy a better gift for your other half, because you think you have to show the world how much you love someone by buying the best gift.

Unfortunately, as with most traditions and holidays, consumerism has crawled all over Valentine’s Day and now it has become a massive marketing ploy to guilt-trip people into spending hundreds on diamonds and gifts for one particular day of the year.

Now, I realise this makes me sound cynical, and I don’t mean to, but it really irks me when people see Valentine’s Day as a way to show off.

“Ooh look at me, my boyfriend bought me this super expensive white-gold bracelet and a gazillion roses, love you babe” – sure thing, love, but didn’t you just tell me yesterday you were sick of him never texting you back and felt like you never had quality time together anymore?

I’ll be honest here.

When my previous relationship was starting to head south, I thought that maybe Valentine’s Day would be the romantic kick we needed and it would rekindle our little flame.

I built up the big day in my head and spent a bit extra on the gift, but unfortunately, we acted the same and the flame continued to slowly fizzle out.

Valentine’s Day is built up to be this massive thing, and people feel the need to spend heaps to show their love for someone.

We are teased by advertisements saying things like “show her you truly care by…”, and if you can’t afford it?

Well, I guess it means you don’t really love that person, apparently.

I love having special days like Valentine’s Day, but showing your love and appreciation for someone shouldn’t be restricted to just one day.

You know what I think is romantic?

When your partner picks a flower from the garden because they thought it was pretty, and they thought of you.

When they give you a foot rub without you asking, after a long day at work.

When they let you whinge about your crappy day, and don’t feel the need to interrupt you to brag about their fantastic day.

When your partner knows that all you need is a cuddle.

I love Valentine’s Day and I would love to get a little something, but I’d like to think it’s not the only day in the year when my partner will show his love for me.

I’d like to think that showing someone you love them by getting them something they like or doing something nice for them happens all year round.

So don’t sit around and keep displays of affection for February 14.

Sprinkle love on every moment of every day.

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